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found this essay and wanted to save it (edited lightly)
Tarantino's incarnational theology: Reservoir Dogs, crucifixions and spectacular violence
I’m posting the text of this article online because it was a bitch to find, but well worth it. It’s a remarkable dissemination of cultural attitudes (both in religion and film) towards violence, gender roles, and how the male gaze can be directed upon itself with erotic intent but only within the context of the male form’s brutalization.
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